The album concludes with Jorge Muñiz’s South Shore Suite, written as a metaphor for a journey on the South Shore Rail Line. It draws upon diverse musical elements from the Midwest and Indiana vernacular: jazz, blues, country, R&B, and even rock. Its first movement, “Prologue: South Bend, Indiana” establishes the train metaphor as a rhythmic ostinato with unexpected meter changes, and in its final movement, “Epilogue: Chicago,” played attacca, the sense of the train’s motion is more and more apparent as the train draws closer to its destination of Chicago.